Tuesday, June 17, 2008

TMCA Show to Display Traditional Calligraphy Tools


Tehran Times Art Desk

TEHRAN -- The Tehran Museum of
Contemporary Art (TMCA) will be displaying traditional instruments used
for Iranian calligraphy this summer.

The tools, which include various kinds of pens, penholders, penknives, and scissors, are gathered by private collectors.

This is part of the great exhibition of masters of the nastaliq style of calligraphy which opens in early July.

Nastaliq is one of the main genres of Islamic calligraphy. It was developed in Iran in the 14th and 15th centuries and it has been popular in Persian, Turkish, and South Asian cultural spheres of
influence.

Three copies of the Holy Quran inscribed in nastaliq style by masters Hossein Mirkhani, Seifollah Yazdani and Ayatollah Najafi-Zanjani will also go on show.

Seminars on traditional and contemporary art of Persian calligraphy will also be held on the sidelines of the month-long event.

The Culture and Islamic Guidance Ministry’s Office for Visual Arts, the Association of Iranian Calligraphers, and the Visual Arts Department of Tehran’s Art Bureau are the cosponsors of the event.

Tehran Museum is located on North Kargar St., next to Laleh Park.

Chinese Calligraphy: HAPPINESS



An
old Chinese proverb says that a picture is worth a thousand words. My
recollection of the first time that I heard that adage is foggy. But,
I do recognize that I have heard it repeated many times in my lifetime.


It’s one of those sayings that fits with my psyche. For a long time
I have known that I am a visual person. That is my style of learning,
speaking and thinking.


The Chinese language in its written form is a system of pictures not
an alphabet. That makes for a complicated linguistic system that is
not easily mastered. Yet, it gives its written language an embedded art
form of calligraphy that is highly prized.


Culturally, the best educated have learned the discipline of
calligraphy. The product of putting ink on paper is an artform. It is
highly revered and beautifully symbolic as an expression of the culture.

You can read more of the story by Bruce Fong about chinese calligraphy